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Giving the Clock Its Weight, Its Sway.

by Museum Legs

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1.
wind in eyes lung tight feel like a ghost tonight slight rhyme all Hail Marry where is the zone tonight big hands all bumbling like they don’t know each other reciting all ends wrong letting down the poem’s curve the point is elusive it’s sharpness dulled in drunkenness come right down breathe calm realize and act as a whole open eyes revealing a room of people listening the purpose a halo over head not sinking in compliments buttered in passing and in leaving once again a failure aware of what is better done hide all them recipes for success and happiness those cut throat tactics are not inherent habits at home and under cover playing all the moments backwards nothing done nothing doing work starts again in the morning hide all them recipes for success and happiness those cut throat tactics are not inherent habits of mine
2.
How a Thing. 05:00
when waste mounts high on screens mediocre time following it spreads wide breathes like a cheap bottle of wine a landsape framed in the dentist’s room to wait your turn how bland a thing we usually make in the time when we only need to get by we’ve signed our names everday swiped and sworn away but what’s on file with our mark we’re proud to say “that was me, that defined and swept my life" how deep a thing were made to make in the time when we’re forced to say what we mean when its said out loud and sharp with no hazy aid or inhibitions lowered the thing you felt was a bag of gravel and nails and now that shame ripples for weeks and dreams how dumb a thing we love to make at the place when we think a drug is our friend every one’s got a turn and line that transforms morphs It sways and swoops as the lava-lamp- like flight of birds in a flock and pulse to avoid any end lonely how sad a thing we love to make when we realize times is not a friend how real a thing we need to make at the time when were forced to say goodbye
3.
down with everything little thing have been up to intake has mostly been little lists of waste theglass is tilted with intent to destroy the mirror is clear my outline is bold I’m aware I'm out of line I’ve fucked my dreams they’re un-magical little copies of what I’ve seen my hearing is washed with a party loving tween my seeing an episode a show a series one little steam and the button and the belt are coming off the camera works it’s focus on I’m aware I'm out of line oh could read but the glowing comfot of the screen oh could sleep but warm sense of well being oh could think but the numbing thumbing of the feed intervene this kind of living. I’m aware i’m out of line
4.
get behind me, get behind me no tip jar, through a few grand standing next to stilts by the well wishing this building not on sand its necessity to meet you when it’s feeling not busy with a reminder to impress you and convert the event to tender lock hands, form some safety a small comfort, one giant relief trusting it’s there beneath me should some nerve be extracted to see that something that I have made holds up, holds like a spouse it remains in some album the films and proofs of the honey moon.
5.
as I come back from counting the moments of lights remembering eyes are the window to a soul or such a like then my lids are the sill to let a reality cool and sit like a pie out the oven on the bags on the bruises it’s like cartoon scent lines that seep into my mind like fog with a hand and a "come here” curling finger like a line we think we know in a hallway that’ s time with two tone checkered floor each moment a tile Too far ahead Too far behind and the tones obscure then I realize I’m just visiting this hallway has no mind no plan like sand that passes through the hour glass this is a column of words that separates something i have begun and as columns are not circles and hour glasses are not clocks i must end
6.
If we’ve seen it all before then why insist on re-watching I’ve reduced my human mind to a pattern counting spaces in between eating rice-like intervals stacking years of actor’s work into hours boxing up my only field of vision treating it like sand as the nicer moments fall like water scratch a tally for a day and notching the belt hole calendar. But you cannot think about it every moment has already gone and left you by the time you time you want to appreciate it. We have engineered our time to fashion in cycles and in rhymes we have engineered our time to spend it to be hopeful at the end with surplus and never back on call with days left under a sun still burning and watching us all day doing nothing all the way. But you cannot think about it every moment has already gone and left you by the time you time you want to appreciate it. And I do not recall moments that make what I call my insides things like mother before her war the room I was in for seven- teen years what else was on the street that I grew up on what wast the first song that made me decide to waste my time on this thing that I am doing right now right here in this room I might not recall even a small amount about Give it sway, the clock its weight. Give it sway, the clock its weight.
7.
As my clocks smallest needle does it’s business of circling I am loitering for some passion and dedication to jump out of me Hope for a hint of some evening or an event to buzz at me run my fingers through the empty groove that held a thing defining me. How I feel i’ve been demoted to a microphone thats open in some night place left unattended like a dry aquarium at a yard sale. As our star leaks it’s last light not to turn off but to leave, I am sinking at it’s same pace, no flash could capture it’s sheen. Then some democratic cupid convinces me that I tried to engage every loving thought I convinced myself I implied. Why does it feel so bad and good to waste free time given to me? With the mantra “it will happen.” Hoping it’s the one that finds me. So time and space are the same thing and we’re never not moving. Where does it come from this stillness in my way of growing? I hear and sense it’s importance, the clock winning the staring game. I wish that it’s small hands could push me and sway me into some change.
8.
Pendulum. 06:02
when will the day hide the ripples of last night damp in dim light when will I rise? when will a time give me sweet countenance a return amount that equals out my only light reigns in a bend then break then actions split random sweet lips like harvest from the bee we call one loved honey like ones she’s made call a spouse a baby a work day achieved a morning met with grief falling soundless seeds flip the glass count the sand when will the chatter cease a thousand broke little cells in some heat upstairs layer opinions as noise when will it be so obtusely obvious a clock strikes “let it go” why won’t its beating little hand hold my bending head lets a bell chime with the ache of some note “it’s time to let this go” as a descending line or half moon symbol describes if healing just takes time then you mend as you die for pendulum to sway it needs an event with weight enough to start its way not so much it breaks its chain As I ride in some returning drive in color stupified when will these break lights die? erase the red from the night like you from my imagination’s files and give a stellar black in my blinking eyes don’t let me see you every other time

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Time.

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released March 10, 2019

All Tracks Recorded By Penn Sultan.
Additional Vocals by MorganEve Swain.

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Museum Legs Providence, Rhode Island

Penn Sultan
MorganEve Swain

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